This is going to be a new feature where I count down my favourite films of all-time. These might not be set in stone or anything (I'm kinda making it up as I go along), but you know how I love my lists and I'm bored and it gives me a way to talk about movies that I love!! By the way though, I have strained out the animated films, just because it's too difficult for me to rank them all with the rest of the films.
So without further ado...we begin.
100. THE GRIFTERS (1990, STEPHEN FREARS)
Starring: John Cusack, Angelica Huston, Annette Bening
Taking away the fact that John Cusack plays one of the main three characters in the film, I would still love this movie. It is smart, it is sexy and it is an unbelievably satisfying watch despite the riveting but ambiguous end.
There is something to be said about the quality of the writing of the film. It's very smooth yet sharp. It's fascinating how it carries these two characters, interweaving this Oedipal relationship in and out of the audiences consciousness. John Cusack describes it as a "bullet train", having these characters speeding directly at each other where nothing good can come in at the point of contact. Well, that expectation comes true...and then some.
Besides the superb acting from the main three characters, the world of the "con man" is so eloquently explored and brutally manifested that it makes you want
to both be a grifter and be more cautious of those who are. It's really amazing. You get to see all the angles as well, the short con, the big game, the sex and violence that results. Five minutes into the film, I want to try out everything that's been shown!!
Compared to other con movies, the way that it is explored doesn'
t really give any sort of gratification to the life either. I mean, you can look at The Sting (1973) or Matchstick Men (2003) and those films never really delve into the lowly, sad and desperate life that really comes along with a career in crime. There is certainly more of a gangster edge in this film compared to those ones, where you do feel that nothing is going to be okay. The Sting has Robert Shaw, sure. But you are never in any doubt that Newman and Redford are going to be the ones who bite the biscuit. Here, at any second, you're never sure at who or what is going to down. And that's extremely difficult for a movie to do.
Bottom line, Cusack as Roy Dillon gives the best work of his career
(arguably). Huston as his mother Lilly deserved her Oscar nod and then some. Bening's Myra Langtry brings an uneasy yet sensual feel to the film, playing the remarkable middle man between the son and mother. She is supposed to be normal and yet at the same time overly sexual while still being ambiguous to the audience, never knowing whose side she will end up being on. It's a constant guessing game of who's playing who and it does such a fantastic job of dividing its audience into getting them to choose a side as well and making them hope they have chosen the right side.
In the end though, it's the movie that puts the con on the audience. Of course I won't give it away, but there's no question as to whether this film is worth its weight.
No Question.